Paper Presentations
Code as Music, Music as Code: An Introduction to Music Encoding of Compositions with Object-Oriented Programming
- April 2020 - IRCAM Forum Workshop: Spatialization, Orchestration, Perception. McGill University, Montreal, Canada
Music and Embodied Creative Space
- October 2019 - Arts Practice Research Conference. Texas Tech University, Lubbock, TX
- July 2019 - Creativity Conference. Southern Oregon University, Ashland, OR
Improvisation as a Real-Time Composition
- May 2017 - Musicking: Improvisation, Ornamentation and Variation. The University of Oregon, Eugene, OR
The Embodied Creativity of Musical Composition
- March 2017 - Embodied Monologues Symposium. Maynooth University, Maynooth, Ireland
- February 2017 - The Improvising Brain III: Cultural Variation and Analytical Approaches. Georgia State University, Atlanta, GA
Multimodality of Creative Experience: Towards the Embodiment of Musical Creativity
- March 2015 - International Conference on the Multimodal Experience of Music. The University of Sheffield, Sheffield, United Kingdom
Extemporaneous Sublime: Indeterminacy and Transience of the Improvised Moment
- June 2014 - American Guild of Organists National Conference, Boston, MA
Ligeti’s ‘White on White’: Embodied Cognition of the Compositional Process
- March 2014 - International Festival for Artistic Innovation. Leeds College of Music, Leeds, United Kingdom
- October 2013 - György Ligeti Symposium and Festival, Florida State University, Tallahassee, FL
From Soul–Within Sound–to Self
- June 2013 - International Festival on Spirituality and Music Education, The University of Vilnius, Vilnius, Lithuania
- October 2012 - Aesthetics and Pedagogy of Charles Tournemire Symposium, Duquesne University, Pittsburgh, PA